Organising tour for Signed Act :: essays research papers

In order to organise a tour for a signed act, it takes the efforts of management, the record social club, agent and promoter. Although separately have their individual responsibilities and slipway of working it is required of them to work together as a aggroup in order to make a tour possible, or charge for just one gig. They each contribute an essential part of the transition and organisational strategies and with show up co-operation of each whole organising a tour would be practically impossible. Disagreements could micturate much of an inconvenience and the music industry being so bounteous with so many people disagreements are not uncommon as e veryone has their own opinion. Compromise is perhaps the only key, therefore working with opened minded people makes it much easier. Often the occupancy descriptions of each unit intersect and are badly to define, which can sometimes be steadying as different people can do the same job from different angles, however it can al so get confusing and go problems often being the result of communicational breakdowns. In this essay we shall chew over what each unit does and how they work together looking at the advantages and disadvantages of authentic aspects and perhaps discuss ways in which the system could be improved. guidanceThe management company works with the artist more so than anyone else. They rook a dominant role in their interaction with people in the music industry (agents, promoters, record labels). Their own interaction with the artist is calculate and they often have a freindly relationship with the artist. I spoke to an unsigned rock band with a management contract to find out exactly what they do for them. Their management company were an established music company who create music for adverts and therefore have knowledge and contacts within the industry. They give the band with financial backing for equipment, recording sessions and any other pecuniary resource to support the band. Th ey also act as an agent for the band and accommodate gigs by contacting promoters and promoters also often contact them. Their relationship with the band is very friendly and are on terms were they both work for each other. Their management push and motivate the band to work as hard as they can to improve their material and perhaps influence it to be what a record company might want to hear. They are unremarkably responsible for any exposure the band receive, for example interviews, airtime, music journals and so on